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WIELD THE SPADE
From Oysterhead debut release 'The Grand Pecking Order' (2001)
Music: Oysterhead, Lyrics: Copeland/McDonald © Who Is She? Music (BMI), Long Corn Publishing (BMI) and Palmyra Music administered by Zomba Songs Inc. (BMI)
Barber
Get this mirror cleaned
I'm troubled by the face I see before me
As we shave our nations face
Keep a steady hand
Listen to these words that soon will ring across the land
Wield the Spade
Ready the blade
Sacrifices must be made
There are many fools who dare propose imposing limits on my power
Those ungrateful who've been swayed by
intellectuals in their ivory towers
They will pay for crimes that God and I will not allow
Some before the firing squad and some behind the plow
Wield the spade
Barber
Get this mirror cleaned
I'm troubled by the face I see before me
Be careful not to miss a whisker
Soon I face my people who adore me
As you shave our nations face
Keep a steady hand
Listen to these words that soon will ring across the land
Wield the spade
Ready the blade
Sacrifices must be made
Barber
You've done very well
Much cleaner now the mirror's telling no lies
I know I'm not imagining the telltale glint of death
I see in your eyes
I can't trust you
So I must do something with my knife
It's a shame to lose a damn good barber
But that's life
Wield the spade
Ready the blade
Sacrifices must be made
After 9.11 somebody has seen in this song a sort of prophecy. The lyric was actually about Ceaucescou, the Romanian dictator, so it should be considered a “historical” rather than a “timeless” song, but its narrative style seems to introduce some general statements that could universalize it.
Probably Stewart considers himself not exactly a committed author, but he has always shown a certain sensitivity towards contemporary society and international issues, particularly towards the Middle East, where he grew up.
The vision of the world is grotesquely distorted by the powerful lenses of Stewart’s irony, which has always been an intrinsic and distinctive feature of his lyrics (just think about Bombs Away and Miss Gradenko, but also Does Everyone Stare, On Any Other Day, etc.).
In Wield the Spade the rhythm is marked by the repetition of the word “Barber”, which introduces the metaphor of the shaved nation’s face, but at the same time evokes the word “barbaric”, conveying a negative connotation. In this song as well as in most of Stewart’s ones, the mode of representation is individual and subjective (first person narrative), but the ambiguous use of the “I” and “we” pronouns has not a precise referential value (that’s one of the reasons why, as we’ve said above, this song may be universalized). We can also notice a dialogic structure, especially in the large use of the imperative form (Get this mirror cleaned; Keep a steady hand; Listen to these words…; Wield the Spade; Be careful…). As to the lexical choices, the most frequently used words refer to weapons (Spade; Blade; Firing Squad; Knife) which give the text a more dramatic sound, while the modal verb “must” functions as a speech act through which the protagonist’s volition is communicated even if the passive construction in the refrain contributes to create a sense of inevitability related to the sacrifices to make. Another stylistic feature to be taken into consideration is that of metonymy (personification): the entities personified are the mirror, especially in the last lines of the lyric, when “… the mirror’s telling no lies”, the words “… that soon will ring”, the blade that must be “ready”.

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